J-Sei’s Virtual Book Club: Minor Feelings by Cathy Park Hong
Minor Feelings is anything but minor. In these provocative and passionate essays, Cathy Park Hong gives us an incendiary account of what it means to be and to feel Asian American today. Minor Feelings is absolutely necessary.
— Viet Thanh Nguyen,
Pulitzer Prize–winning author of The Sympathizer
Minor Feelings: An Asian American Reckoning
by Cathy Park Hong
As Asian American and Pacific Islander (AAPI) Heritage Month comes to a close, J-Sei’s Book Club summer selection is MINOR FEELINGS: AN ASIAN AMERICAN RECKONING by poet and essayist Cathy Park Hong. After its debut in Spring 2020, this collection of seven essays became an instant classic, presenting a blend of memoir, cultural criticism, and history to examine racialized consciousness and truth in America today. Unifying these essays is Hong’s evocation of “minor feelings,” that disturbing yet familiar experience of having one’s own perception of reality discredited or marginalized by others. In this time of social change and racial justice, Hong’s timely, candid, and subversive book challenges all of us to reconsider notions and assumptions that we grew up with as well as thinking about what we can do, as individuals and as a community, moving forward.
Join the Club, Buy the Book
Sign up for J-Sei’s Book Club and be added to the Book Club mailing list. Please encourage anyone interested to join! Our book discussion will be even further enriched by a diverse range of perspectives, for instance of different ages, races, and gender identities.
Copies of the newly issued paperback edition are available for purchase from Eastwind Books, which Eastwind is very generously offering to Book Club members at a discounted price. Order the book online through Eastwind and type JSEI in the coupon field at cart checkout to get your 10% discount. Also, you can choose to pick up your copy at the store or arrange for shipping, or you can designate J-Sei for delivery/pick-up by typing your request into the Note to Seller comment box at cart checkout.
Book Club Format: Read the book at your own pace. As you’re reading, you can comment online about whatever strikes you and share with fellow Book Club members on the secure J-Sei Book Club webpage. In addition, once a week for seven weeks, I’ll update the Book Club webpage to focus on one of Hong’s essays. At the end of July we’ll schedule a live Zoom meeting so members can get together to discuss the book.
— Kathy Hashimoto, moderator
About the Author
Cathy Park Hong was raised in Los Angeles. She graduated from Oberlin College and has an MFA from the Iowa Writers’ Workshop. She is the author of three acclaimed poetry collections, Engine Empire (2012), Dance Dance Revolution (2007), and Translating Mo’um (2002). Hong is the recipient of the Windham-Campbell Prize, the Guggenheim Fellowship, and a National Endowment for the Arts Fellowship. She is the poetry editor of The New Republic and is a full professor at Rutgers University.
REA TAJIRI is a filmmaker and visual artist who was born in Chicago, Illinois. She earned her BFA and MFA degree from the California Institute of the Arts in post-studio art. Her ground-breaking, award-winning film, digital video and installation work, has been supported by numerous grants, fellowships and artistic residencies, has been exhibited widely in museums, on television and in international film festivals. Poetic, subtly layered and politically engaged, her work advances the exploration of forgotten histories, multi-generational memory, landscape and the Japanese American experience.
Miyamoto vividly describes her early life in the racialized atmosphere of Hollywood musicals and then her turn toward activism as an Asian American troubadour with the release of A Grain of Sand—considered to be the first Asian American folk album. Her narrative intersects with the stories of Yuri Kochiyama and Grace Lee Boggs, influential in both Asian and Black liberation movements. She tells how her experience of motherhood with an Afro-Asian son, as well as a marriage that intertwined Black and Japanese families and communities, placed her at the nexus of the 1992 Rodney King riots—and how she used art to create interracial solidarity and conciliation.