Botanical Printing on Paper 2025

Botanical Printing on Paper 2025

 BOTANICAL PRINTING ON PAPER

Saturday, May 31 or Sunday, June 1, 10 am to 4 pm – CLASS IS FULL, waitlist only

Learn to make prints on paper with natures own special botanicals. We will look at how to make papers print what nature can give. You can use the results for cards, origami, books and more.  Delve into the world of botanical printing, using natural leaves, flowers, roots or fruits of naure.  All materials will be provided for the workshop. Instructor Dorothy Yuki, an innovative designer.

Dorothy Yuki began as a fashion designer immediately after college but soon she became a partner of a manufacturing company, In Good Company, and designed kitchen soft goods and linens. She served as a production and design consultant for music production companies and start-ups, She returned to designing linens for Macy’s in the 80’s and lived internationally.in Barcelona Spain, Lisbon, Portugal, Montevideo Uruguay and Tequisquiapan Queretaro Mexico.  Now in her 70’s and living in San Francisco, she is engaged in many volunteer activities, Ruth’s Table, Artseed, SCRAP-sf, and FabMo. She also mentored at Bay High School. She was past President of Friends of Calligraphy and presently a Master Educator for the Macy’s Fashion Incubator San Francisco. She still has the time to do ‘art’ and has worked on projects for MMOCA, Flax Art and Design and Kalligraphia.

This workshop has been generously sponsored by Steve Ichinaga.  Discounted Workshop Fee: $50  Space is limited.  RSVP by May 15th and select your preferred date.  A list of dried and fresh plants that you can bring with you will be provided after you sign up.  The class is full.  We are starting a waitlist for advance notice of a future Botanical Printing workshop.

     

Flavors of Spring 2025

Flavors of Spring

Friday, March 28

5:30 to 8:30 pm

BLOC 15, Jack London Square

Join us for a festive evening of food, wine, brew and live music

by Bay Area’s favorite R&B band: PRIVATE PRACTICE.

Don’t miss the Early Bird Special

Tickets for $125 until Feb 21st

Regular ticket price is $150, from February 22nd.

Purchase tickets online or send checks payable to:

J-Sei, 1285 66th Street, Emeryville, CA 94608.

Must be postmarked by March 24, 2025.

For more info, contact Tiffany Nguyen, tiffany@j-sei.org

 

 

34th Annual Crab Feed

J-Sei’s 34th Annual Crab Feed

We received such a warm welcome at The Fratellanza Club that we decided to host J-Sei’s Annual Crab Feed there again!  They are located one block east of J-Sei and have on-site parking.

Feast on fresh Dungeness crab, Asian salad, garlic noodles, rolls, desserts, and beverages with your family and friends at J-Sei’s in-person, sit-down, family-style crab feed!  (Menu subject to change depending on availability of crab.)

Enjoy music, no host bar, and time to greet friends, socialize and mingle from 5 pm. Dinner begins at 6 pm  There will be one seating time for this family-style event.

Live band, no host bar, and raffle drawing: 5:00 to 6:00 pm

Doors to dining room and seating open: 6:00 pm

Dinner : 6:00 to 7:30 pm

Dinner tickets: adults $75, children 12 & under $30

Sorry, no To-Go meals available. 

RSVP by Sunday, January 26, 2025. – SALES NOW CLOSED!

Two Options for RESERVATIONS

Sign up Online

(1) To pay online use the donorbox (in next column). For custom amount, calculate your total amount and type the amount. Check box to add the number of tickets in the comment box.

– OR –

Send by Mail

(1) Download and complete the form on the Crab Feed flyer. (2) Send the form with a check and mail to: J-Sei, 1285 66th Street, Emeryville, CA 94608

TICKET SALES ARE NOW CLOSED!

Thank you for your support!

Mizuko: True Spirit – meet artist Art Nomura

Mizuko: True Spirit – meet artist Art Nomura

Mizuko: True Sprit – Meet Artist and Writer Art Nomura

Saturday, February 8, 2024, 2 pm

Mizuko: True Spirit is an epic American-immigrant tale of hardship, assimilation, and the eventual triumph that ensued. When the Takahashi’s, one of the wealthiest families in western Japan lost their great fortune in 1900, five-year old Mizuko Takahashi went from riches to rags. Mizuko’s lifetime in Japan and America offers the reader an intimate look into the world of an Asian immigrant. This book is the story of one woman’s efforts to surmount racism, sexism, and poverty in the 20th century. Featured is a riveting accounting of the matriarch’s life in Manzanar Concentration Camp for three years beginning in 1942.

Art Nomura will share his book, the creative process of memoir writing, and inspiration for his work.

Art Nomura has worked as a painter, sculptor, potter, filmmaker, writer, and New Media artist since 1968. Several of his works have themes directly connected to the Asian American experience. His work has screened on PBS, cable, and in festivals, galleries, museums, and universities worldwide. Nomura has taught media production and writing since 1981.He is Professor Emeritus in Film/TV Production at the School of Film and Television, Loyola Marymount University.

RSVP for this free event.

Courting A Man Who Doesn’t Talk – a book talk with Shizue Seigel

COURTING A MAN WHO DOESN’T TALK

Writer Shizue Seigel, in conversation with Alameda Poet Laureate Kimi Sugioka

Saturday, February 15th, 2 pm

Courting A Man Who Doesn’t Talk began thirty years ago as midnight journaling to puzzle out a budding romance between a fortyish, Asian American single mother and a twenty-something white man. The personal experiment has stood the test of time, but the larger social battle for equality and respect between women and men is still being waged, one day at a time, one person at a time.

Many men don’t have words to express what’s deepest  in their hearts. Lover or husband, father or son, employer or co-worker—each has different styles of wordlessness and different reasons for it. In today’s polarized world, breaking through the silence is essential, especially across divisions of race, class, generation, culture, or religion.

Shizue Seigel is a Japanese American writer, visual artist and arts activist who has supported 500+ writers and artists of color with workshops, events and publications since 2015 through her arts organization Write Now! SF Bay.

Shizue Seigel, founder/director of Write Now! SF Bay, is a third-generation Japanese American writer, visual artist and community activist who explores complex intersections of history, culture and spirituality through prose, poetry and visual art.

Born just after her family’s release from WWII  incarceration camps, Shizue grew up as an Army brat in segregated Baltimore, Occupied Japan, California farm labor camps and skid-row Stockton, before finding home in San Francisco in 1956. She’s a college dropout who learned from experience in the Haight-Ashbury in the 1960s, Indian ashrams and the counterculture in the 1970s, corporate advertising in the 1980s, and HIV prevention in the 1990s.

She has helped tell community stories for 25 years. She’s written, co-written or edited nine books, Including In Good Conscience, My First Hundred Years, and five Write Now! anthologies. Her poetry and prose have been widely published, most recently in Ginsoko Journal, Porter Gulch Review, and Colossus: Body. Her  work was recognized with a KPIX Jefferson Award in 2021, and her literary and visual art papers are archived at the California Ethnic and Multicultural Archives, University of California, Santa Barbara

Kimi Sugioka is a mother, educator, songwriter and poet. She earned an MFA from Naropa University and has published two books of poetry; the newest of which is Wile & Wing on Manic D Press. She has been published in numerous anthologies and is the Poet Laureate of Alameda, California. As an active board member for literary arts organizations, she curates and hosts readings for the Alameda Island Poets and the San Francisco International Arts Festival, among others. She believes that creating community through art is a revolutionary act.
Born to a Japanese American father and Scots Irish American mother in North Carolina, Kimi Sugioka grew up in Chapel Hill and Berkeley, California. Constantly moving between the two starkly different cultures and not blending into either, Kimi often found herself in liminal circumstances that squarely placed her in the category of other. Family divisions and trauma contributed to her feeling a lack of home and identity. Consequently, she was always trying to fit in and please whoever she was with.

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RSVP for this free event.