MEDICARE: What Plans Work For You?
MEDICARE : What Plans Work For You?
Tuesday, November 16th, 2 pm
So many $0 Premium Medicare Advantage Plans are available this year, but do they meet your needs? If you are on Medicare, you are being inundated by mail, phone calls and TV commercials touting the low costs and rich benefits of these plans. Learn how to evaluate all of your Medicare options including Medigap plans and Prescription Drug Plans to make sure you get the coverage that fits your needs.
OPEN ENROLLMENT is October 15 to December 7, 2021. Find out what will work best for you.
We are pleased to have Denise Lombard join us again at J-Sei. For nearly 20 years, Denise Lombard has helped individuals and families find smart health insurance solutions with a mix of market savvy, financial know-how, and an unrelenting desire to give her clients genuine peace of mind. When Denise became Director of Marketing for Medicare for Blue Shield of CA she discovered her true calling –– a passion for applying her financial acumen and understanding of the inner workings of the health insurance field to make a difference in people’s lives. Denise set off on her own in 2004, dedicated to giving her clients the kind of care and attention she seeks for her own family. Since then, she has helped hundreds of people find health insurance solutions tailor-made to fit their needs.
Interested? Please RSVP to jill@j-sei.org with Medicare in the subject line.

SHARON YAMATO is a writer and filmmaker who produced and directed the documentary films Out of Infamy: Michi Nishiura Weglyn; A Flicker in Eternity; and Moving Walls, the latter based on her book Moving Walls: Preserving the Barracks of America’s Concentration Camps. With Nonny de la Peña she created A Life in Pieces and has also served as a consultant for the Japanese American National Museum. She has written articles for the Los Angeles Times and is currently a columnist for the Rafu Shimpo. She graduated cum laude from UCLA with bachelors and masters degrees in English.
CLEMENT HANAMI is Vice President of Exhibitions and Art Director at the Japanese American National Museum in Los Angeles and has been with the Museum since it opened in 1992. He is primarily responsible for the design, installation, fabrication, and maintenance of the Museum’s major exhibits. Clement received his MFA from UCLA in Studio Art with a specialization in New Genres and has exhibited his work in California, New York, and Washington D.C. He was recently selected as one of Art Matters Foundation 2021 Artist2Artist Fellows.

CELLIN GLUCK was born in Wakayama prefecture to American parents Jay and Sumi Gluck. He spent his “formative years” in Japan, except for three years in Iran, where his archaeologist father and textile historian mother’s work took the family.

Matthew Hashiguchi is a documentary filmmaker whose work investigates the diverse experiences, identities, and cultures of American society. His first feature-length documentary GOOD LUCK SOUP was broadcast nationally on PBS World’s America ReFramed, won the Best Local Documentary Award at the Chagrin Documentary Film Festival, and received a 2016 Documentary Fund Award from the Center for Asian American Media and the Corporation for Public Broadcasting. His other documentary work, which has addressed topics such as undocumented immigration, preserving community in post-Katrina New Orleans, and unexpected experiences in the Japanese American Internment Camps, has screened at many other festivals. His current project, AMERICAN DREAMING, is about undocumented immigrants trying to get college degrees in the state of Georgia. He is also associate professor of multimedia film and production at Georgia Southern University.
Pick up a Hikari Farms condiment jar to enjoy at home.












“Kay Sekimachi: Geometries” includes more than fifty objects that highlight the artist’s material and formal innovations across her career. First recognized for her woven monofilament sculptures, made between 1964 and 1974, Sekimachi has since used linear, pliable elements—monofilament, thread, and paper, among other materials—to create experimental objects that fold together art and craft, found and made, and Japanese and American artistic traditions.