SOUL COLLAGE for All – Thursday, May 20
SOUL COLLAGE for All – Thursday, May 20, 4 pm – date/time change
As we transition through this past year’s pandemic and all that we carry, art can help us find our way. Explore SOUL COLLAGE, an intuitive process for self discovery. Join us online to create your own collage, discover the wisdom, and share them with each other.
Soul Collage, an expressive arts practice founded by Seena B. Frost in the 1980s, is now practiced worldwide. The method develops creativity and intuition, encourages self-discovery, and provides personal guidance. Participants will receive a 5 x 7 mixed media mat board and sleeve, and a list of suggested materials to collect. The kits are available to pick up at J-Sei.
SoulCollage® has been a wonderful tool to integrate into my practice. I enjoy sharing it and teaching my clients to use this process to gain greater personal insights and discoveries and to enrich their lives. – Bronwyn Shaunessy
Bronwyn Shaunessy, an herbalist, natural remedy practitioner, and Soul Collage facilitator will be joining us from Australia. Cynthia Tom is unable to lead the workshop at this time. Her teacher, Bronwyn will lead the workshop at J-Sei.
RSVP to jill@j-sei.org with Soul Collage in the subject line.
My favorite Ozu title is “I Was Born But…” I was born but…WWII disrupted my life. I spent my early years in Poston Concentration Camp. Then a truck farm. Then came to SFSU where I studied filmmaking. I began my career as a filmmaker and cinematographer in 1968, when there were few camerawomen and fewer still Asian American camerawomen in the US. My first job was as cinematograher/editor on the KQED-TV program, “Newsroom.” Since 1972 I have freelanced as a cinematographer on many award-winning projects as well as producing my own. In 1991 I wrote and directed the highly acclaimed drama, Hot Summer Winds, based on two short stories by Hisaye Yamamoto, for American Playhouse. In 1999, my documentary/memoir, Rabbit in the Moon, premiered at the Sundance Film Festival, was broadcast on POV, and won a National Emmy and numerous other awards. At Sundance I was awarded the Best Documentary Cinematography for Rabbit in the Moon and for Academy Award nominee Regret to Inform. In 2020, I directed and edited Vanishing Chinatown, The World of The May’s Photo Studio. In my sunset years, I continue to make documentaries like Then Becoming Now.




